tag:blogger.com,1999:blog-52893585974705668532024-02-08T07:09:00.897+01:00Blues, Rock & Jazz GuitarWelcome!
¡Bienvenido!
In the left hand column you'll find the index of all the posts and lessons. If you have questions, put them in the comments section and I'll answer you.
En la columna de la izquierda está el índice de todas las lecciones. Si tienes preguntas, ponlas en la sección de "comments" y te contestaré.
Have fun!
¡Pásatelo en grande!Unknownnoreply@blogger.comBlogger122125tag:blogger.com,1999:blog-5289358597470566853.post-29704953967834505182016-01-24T02:52:00.000+01:002016-01-24T02:52:01.869+01:00ERIC JOHNSON: Cliffs of DoverWho doesn't like Eric Johnson?<br />
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<span style="color: red;">¿A quien no le gusta Eric Johnson?</span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-8132800631979508452015-10-24T15:47:00.002+02:002017-04-26T09:32:11.915+02:00<div style="text-align: center;">
<u style="font-weight: bold;">GUITARRA JAZZ RITMICA: EL ARTE DE ACOMPAÑAR.</u> </div>
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Consigue este e-libro (PDF) en tu email por solo 30€.<br />
80 páginas en notación musical y tablatura que te enseñan y explican detalladamente el arte de tocar la guitarra rítmica. Para todos los niveles desde principiantes hasta profesionales. Si tuvieras preguntas, dudas o no entendieras algun concepto en el libro siempre estoy disponible para contestarte de forma gratuita. <br />
La forma de pago es através de un giro como Western Union o Correos, transferencia bancaria, ingreso directo a la cuenta del banco, etc...<br />
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Personas interesadas pueden enviarme un correo electrónico a improvrrz@gmail.com<br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-69947300859485327942014-05-14T17:16:00.002+02:002014-05-14T17:19:35.388+02:00Sé Mejor<div class="separator" style="clear: both; text-align: center;">
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-52775692000605051142014-05-13T10:56:00.000+02:002014-05-13T11:38:27.234+02:00Walking Bass. Root Movement Up by Major 2nd. Tónica Asciende por Segunda Mayor.Continuing with our series of WALKING BASS on guitar, here are four examples of two chords (Gmaj7 and Am7) whose root movement is up by a major 2nd. (G to A is a major 2nd). In this example I have included 3rds and 7ths and also 3rds and 6ths in the G chord to add some variety and interest to the harmony. (Note: When the 6th is present in the G chord, it's really a G6). Feel free to mix and combine the walking bass notes to come up with your own ideas. Each example has an audio link to soundcloud.com so that you can hear what it sounds like.<br />
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<span style="color: red;">Siguiendo con la serie sobre WALKING BASS o BAJO CAMINANTE, aquí hay cuatro ejemplos usando dos acordes (Sol may7 y La m7), de como se puede hacer esta técnica cuando la tónica de Sol sube por una 2ª mayor a La. En este ejemplo he incluido 3as y 7as y 3as y 6as con el acorde de Sol. </span><span style="color: red;">Esto añade interés y variación al acompañamiento.</span><span style="color: red;">Cuando aparece la 6ª (Mi) con el acorde de Sol, el acorde es realmente Sol 6. Mezcla y combina las notas del walking bass para crear tus propias líneas. Cada ejemplo está enlazado a una pista de audio en soundcloud.com.</span><br />
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Audio: <a href="https://soundcloud.com/user633174280/root-up-by-maj-2nd-ex-a" target="_blank">Example A</a></div>
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Audio: <a href="https://soundcloud.com/user633174280/root-up-by-maj-2nd-ex-b" target="_blank">Example B</a></div>
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Audio: <a href="https://soundcloud.com/user633174280/root-up-by-maj-2nd-ex-c" target="_blank">Example C</a></div>
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Audio: <a href="https://soundcloud.com/user633174280/root-up-by-maj-2nd-ex-d" target="_blank">Example D</a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-54720296925041335582014-05-05T18:29:00.001+02:002014-05-11T13:46:44.757+02:00BLACKBIRD-The Beatles<div class="separator" style="clear: both; text-align: center;">
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The Beatles, the fab 4. They not only changed music but also society. I don't think there will ever be another group that has had so much influence on just about every aspect of humanity. Blackbird is a song based on classical guitar studies. It's not difficult to play but may take a little bit of practice to get it to flow. Here's the complete sheet music and tablature (tab).</div>
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<span style="color: red;">Los Beatles. No solamente cambiaron la música sino que también la sociedad. No creo que habrá otro grupo que vaya a tener tanta influencia en casi todos los aspectos de la humanidad. Blackbird es una canción basada en algunos estudios para la guitarra clásica. No e difícil pero a lo mejor te llevará un poco de estudio para que fluya. Aquí tienes la partitura y tablatura completa.</span></div>
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<span style="color: red;"><a href="http://www.youtube.com/watch?v=BrxZhWCAuQw" target="_blank">Blackbird by The Beatles</a></span></div>
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<a href="http://2.bp.blogspot.com/-jz_aBpa5sPY/U2oC3SvdcKI/AAAAAAAADAc/U85OArKYWGU/s1600/Blackbird+03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-jz_aBpa5sPY/U2oC3SvdcKI/AAAAAAAADAc/U85OArKYWGU/s1600/Blackbird+03.jpg" height="400" width="311" /></a></div>
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<a href="http://3.bp.blogspot.com/-TmtwoUd1BRg/U2tXhGr13zI/AAAAAAAADBE/O-hCtOLn_cI/s1600/Blackbird+04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-TmtwoUd1BRg/U2tXhGr13zI/AAAAAAAADBE/O-hCtOLn_cI/s1600/Blackbird+04.jpg" height="400" width="290" /></a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-47547314679974864642014-05-04T00:42:00.002+02:002014-05-04T00:42:42.899+02:00<span style="color: red;">Para no perderte ninguna lección nueva del blog, dale a "me gusta" en mi página de facebook o en twitter: </span><br />
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<a href="http://bluesrockjazz/" target="_blank">T</a>witter: @bluesrockjazzUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-85030214817937909272014-05-01T18:48:00.002+02:002014-05-07T18:52:31.185+02:00Walking Bass. Root Movement Up by Minor 2nd. Tónica Asciende por Segunda Menor.<div style="text-align: center;">
<b><u>Walking Bass for Guitar</u></b></div>
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<u>Root Movement Up by a Minor 2nd</u></div>
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Here are seven examples of how to create a walking bass line if the chords move up (ascend) by a minor 2nd. The first chord is a G major 7 (the triangle represents a major 7th chord) so please note that the F is sharp (F#). The Ab chord could be any quality (maj, min, dom7, etc...), it doesn't matter. We're only interested in how to get from Gmaj7 to Ab. There are probably more examples but these should give you enough ideas to get started. See other lessons in this blog to learn how to include the harmony notes.</div>
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Here are some guidelines:</div>
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1) The first beat should be the root of the chord (unless the chord lasts for more than one measure).</div>
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2) The second beat can be a chord tone (a note that makes up the chord or a note from the scale being used).</div>
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3) The third beat should be a chord tone.</div>
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4) The fourth beat must move by half step into the new chord.</div>
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<b><u><span style="color: red;">Walking Bass para Guitarra</span></u></b></div>
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<u><span style="color: red;">Tónica asciende por 2ª menor</span></u></div>
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<span style="color: red;">Aquí tienes siete ejemplos de como crear una línea walking (caminante) si los acordes ascienden por una 2ª menor. El primer acorde es un Gmaj7 (Sol. El triángulo representa un acorde de mayor 7ª) así que toma nota de que el F (Fa) es sostenido (#). El acorde de Ab (Lab) puede ser de cualquier cualidad (may, men, dominante, etc...), no importa. Solo nos interesa como llegar del Gmaj7 a Ab. Seguro que hay más posibilidades pero estos te darán algunas ideas para poder empezar. Mírate otras lecciones sobre walking en este blog para saber como incluir la armonía.</span></div>
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<span style="color: red;">Aquí tienes algunas nociones para guiarte:</span></div>
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<span style="color: red;">1) El primer tiempo (1ª nota) debería de ser la tónica del acorde (a no ser que el acorde dure más de un compás)</span></div>
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<span style="color: red;">2) El segundo tiempo puede ser una nota del acorde (una nota que compone el acorde) o una nota de la escala que se está usando en ese compás.</span></div>
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<span style="color: red;">3) El tercer tiempo debería de ser una nota del acorde.</span></div>
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<span style="color: red;">4) El cuarto tiempo debe de moverse por semi tono al acorde nuevo.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-55156598863822919592014-04-18T14:48:00.000+02:002014-05-03T12:52:07.534+02:00Gary Moore: STILL GOT THE BLUES<span style="color: red;">Aunque la progresión armónica no tiene nada que ver con el blues, los fraseos pentatónicos en el solo se pueden adaptar perfectamente a un blues. La progresión se mueve por cuartas y es típica de temas como "Las Hojas Muertas" (Autumn Leaves) o "Europa" de Santana.</span><br />
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Even though the chord progression has nothing to do with a blues, the pentatonic licks in the solo section can be adapted to a typical blues. The progression moves by 4ths and is typical of pieces like "Autumn Leaves" and Santana's "Europa".<br />
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Music: <a href="https://www.youtube.com/watch?v=J-0KRM_eROA" target="_blank">Still Got the Blues by Gary Moore</a><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-43115727940295044162013-06-15T20:54:00.000+02:002013-07-06T13:19:36.447+02:00Yngwie Malmsteem: BEDROOM EYES (7/7)A great combination of blues and rock. <br />
<span style="color: red;">Una gran combinación de rock y blues.</span><br />
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-5289358597470566853.post-25671528155892337152012-08-14T01:14:00.000+02:002012-08-14T01:49:07.275+02:00Do jónico y Do lidio: diferencias.En este video voy a demostrar la diferencia de sonido entre Do jónico y Do lidio.<br />
Do jónico es lo mismo que la escala mayor de Do: Do, Re, Mi, Fa, Sol, La, Si<br />
Do lidio es el cuarto modo de Sol mayor o lo que es, tocar la escala mayor de Sol pero empezando en Do, lo que nos daría: Do, Re, Mi, Fa#, Sol, La, Si.<br />
La diferencia entre las dos escalas es que uno tien un Fa natural y la otra un Fa#.<br />
Las dos contienen las notas del acorde Do may7. Estas notas son: Do, Mi, Sol, Si y por eso suenan muy bien con este acorde.<br />
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<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-5289358597470566853.post-76471199737179971872012-06-13T00:24:00.000+02:002014-04-21T13:30:34.428+02:00Jeff Healey's version of George Harrison's WHILE MY GUITAR GENTLY WEEPS<div class="separator" style="clear: both; text-align: center;">
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Jeff Healey's great version of George Harrison's masterpiece.<br />
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<span style="color: red;">La gran versión de Jeff Healey de la obra maestra de George Harrison. </span><br />
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Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-5289358597470566853.post-25863612309958954322011-09-05T15:15:00.001+02:002011-09-05T15:17:49.969+02:00Deluxe Guitar BlogUn blog nuevo sobre herramientas y sitios de interes para el guitarrista professional. ¡Os lo recomiendo, es muy bueno!Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-27217860731207081452011-06-07T16:34:00.002+02:002014-01-31T09:50:01.844+01:00Frank Gambale "Resident Alien" 4/4<div class="separator" style="clear: both; text-align: center;">
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-5289358597470566853.post-35546999253700720882011-03-29T20:58:00.009+02:002011-04-25T15:44:48.268+02:00Walking bass and comp for ALL OF MERecently I teamed up with a female vocalist which meant having to change keys to almost all the tunes in the repertoire to adapt it to her voice. Instead of getting bummed out I took it on as a challenge and a new opportunity to explore more ways of playing the same tune. Anytime there's change, there's a lesson to be learned. One of the tunes that had to be changed was All of Me, it ended up in G from the real book C version. I'll post the walking bass line with its comp over the next few weeks. The numbers under the bass line are the left hand fingerings. Pay attention to them since they help in speed. <br />
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<span style="color: red;">Recientemente he formado un dúo con una cantante lo que significa tener que cambiar de tonalidad a casi todo el repertorio para adaptarlo a su voz. En lugar de tomar esto como más trabajo, me lo he tomado como una oportunidad de aprender cosas nuevas ya que un cambio de tonalidad te presenta con problemas nuevos que hay que resolver y por lo tanto te convierte en mejor guitarrista. Uno de los temas al cual había que cambiarle la tonalidad es All of Me. De Do lo hemos cambiado a Sol. Pondré en las próximas semanas el walking con el acompañamiento. Los números debajo de la línea del bajo son las digitaciones de la mano izquierda. Haz caso de éstas ya que te ayudarán en la velocidad de la ejecución. </span><br />
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</a></div>Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-5289358597470566853.post-62134912237633833542010-11-26T15:00:00.017+01:002012-08-14T17:01:13.407+02:00Eric Clapton: Politician (12/12)<div class="separator" style="clear: both; text-align: center;">
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-84370292593983046872010-11-11T08:38:00.003+01:002010-11-26T15:01:22.683+01:00El ritmo de Wes (y de muchos jazzeros)Here's a study on Wes Montgomery's rhythm which is applicable to many jazz rhythms.<br />
<br />
<span style="color: red;">Aquí hay un pequeño estudio sobre el ritmo de Wes Montgomery que se puede aplicar para muchos ritmos del jazz. </span><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/_BLas5rlDkkM/TOJu9JTaxJI/AAAAAAAAArg/WP0Iyi9cm1M/s1600/Spanish+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/_BLas5rlDkkM/TOJu9JTaxJI/AAAAAAAAArg/WP0Iyi9cm1M/s640/Spanish+1.jpg" width="446" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkwcKoHHVbaNTme5GW81Rx_MtE0VuX2trdWF6dcGtwsCnPS53qvWG6p_y_RPuN21_GJFHMDH9Rygce6zGrnE8MU56DjpI0d0N6njfz95twLGwWSfh5Xl2XOSfIdqEvVtvEznVlnbMaAnQ/s1600/Spanish+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkwcKoHHVbaNTme5GW81Rx_MtE0VuX2trdWF6dcGtwsCnPS53qvWG6p_y_RPuN21_GJFHMDH9Rygce6zGrnE8MU56DjpI0d0N6njfz95twLGwWSfh5Xl2XOSfIdqEvVtvEznVlnbMaAnQ/s640/Spanish+2.jpg" width="446" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/_BLas5rlDkkM/TNuc_u463gI/AAAAAAAAArY/Tl6GV53U1c0/s1600/Spanish+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-10998079283198726502010-11-04T18:33:00.002+01:002010-11-07T16:55:41.329+01:00Stella by Starlight<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUNNBEsmq2cbWzD17Vv6FtBMrNeJYnWUmDXeX7Nm0L2P-PV_DnA8jjfgIvKEtJ8N3O5bnPwPGckOUcItedxeBwHmTiuXdidvxZPV8UNNFC4kOp8wJv1h12oIjMPDhc52TdWj-tkL021l4/s1600/Stella+by+Starlight+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUNNBEsmq2cbWzD17Vv6FtBMrNeJYnWUmDXeX7Nm0L2P-PV_DnA8jjfgIvKEtJ8N3O5bnPwPGckOUcItedxeBwHmTiuXdidvxZPV8UNNFC4kOp8wJv1h12oIjMPDhc52TdWj-tkL021l4/s640/Stella+by+Starlight+1.jpg" width="494" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_BLas5rlDkkM/TNbLzNuPKII/AAAAAAAAArU/HdGeD-shg98/s1600/Stella+by+Starlight+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://3.bp.blogspot.com/_BLas5rlDkkM/TNbLzNuPKII/AAAAAAAAArU/HdGeD-shg98/s640/Stella+by+Starlight+2.jpg" width="494" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnBJr5FHpPHOmGVCWOvz2acP73_5ekYha_2n43zZEGB1UjCmwbDQsVyq0_4nDp0HX6JoLhzGY0mLbgf4B0443nrxx9TXme32MVV5KRcIP50-gpvtMe_a-_Z54TwEGqhpRXJoRm4exppN0/s1600/Stella+by+Starlight+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-64843398899952760722010-10-30T23:25:00.004+02:002010-11-02T23:52:24.855+01:00Hillbilly Blues<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheS-r_nJ40yo7yQRoqwb2nTiU-zPtyGhdtKHqsIkpOWbQu0GB6vOZ58YXC16vWxGMkgRQuo_S1K5q0Yhieeh4CXJQzxtQCU4r_kGBhdoonhJWKZ2TOWNCcLKmA4ZDDdmxubaH6GpucaK0/s1600/Hillbilly+Blues+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheS-r_nJ40yo7yQRoqwb2nTiU-zPtyGhdtKHqsIkpOWbQu0GB6vOZ58YXC16vWxGMkgRQuo_S1K5q0Yhieeh4CXJQzxtQCU4r_kGBhdoonhJWKZ2TOWNCcLKmA4ZDDdmxubaH6GpucaK0/s640/Hillbilly+Blues+1.jpg" width="464" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBDmWqGDdKHAspI6ldvSqSiqu5Jd7YctcuIHDjOH_x2VgT12MY9MljC25_V8IRo4Dh9l4mLMeYZORk5ibyOzzRvZuJcj3vpfKXW4hZY4-NdpIbBK4UHOwtgXtmFraxr9jvfR7_ABD4hi0/s1600/Hillbilly+Blues+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBDmWqGDdKHAspI6ldvSqSiqu5Jd7YctcuIHDjOH_x2VgT12MY9MljC25_V8IRo4Dh9l4mLMeYZORk5ibyOzzRvZuJcj3vpfKXW4hZY4-NdpIbBK4UHOwtgXtmFraxr9jvfR7_ABD4hi0/s640/Hillbilly+Blues+2.jpg" width="464" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/_BLas5rlDkkM/TNCVyMgRvbI/AAAAAAAAAq4/UFYoCy48tLA/s1600/Hillbilly+Blues+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/_BLas5rlDkkM/TNCVyMgRvbI/AAAAAAAAAq4/UFYoCy48tLA/s640/Hillbilly+Blues+4.jpg" width="464" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyjFLUPYc6aYXv1boFs2uDCuEQuJoCRbFFILNgpq5mRqOjBgKSyvU5Cn_hl5-cg_WwrQLF9KeOJQ2h2FYGlHGR0WxSUgZIcw67tUJBx8LwPcADkGEt1McGVVa1C4XYdDi6gLuUCWxipQ0/s1600/Hillbilly+Blues+5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyjFLUPYc6aYXv1boFs2uDCuEQuJoCRbFFILNgpq5mRqOjBgKSyvU5Cn_hl5-cg_WwrQLF9KeOJQ2h2FYGlHGR0WxSUgZIcw67tUJBx8LwPcADkGEt1McGVVa1C4XYdDi6gLuUCWxipQ0/s640/Hillbilly+Blues+5.jpg" width="464" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_BLas5rlDkkM/TNCV1KfvUDI/AAAAAAAAArA/-JKAsYR5Acc/s1600/Hillbilly+Blues+6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://4.bp.blogspot.com/_BLas5rlDkkM/TNCV1KfvUDI/AAAAAAAAArA/-JKAsYR5Acc/s640/Hillbilly+Blues+6.jpg" width="464" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_BLas5rlDkkM/TNCV2rmsZNI/AAAAAAAAArE/bnZf1UctHL8/s1600/Hillbilly+Blues+7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://3.bp.blogspot.com/_BLas5rlDkkM/TNCV2rmsZNI/AAAAAAAAArE/bnZf1UctHL8/s640/Hillbilly+Blues+7.jpg" width="464" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_BLas5rlDkkM/TNCV4QaUHiI/AAAAAAAAArI/M44uV9YfL8U/s1600/Hillbilly+Blues+8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://3.bp.blogspot.com/_BLas5rlDkkM/TNCV4QaUHiI/AAAAAAAAArI/M44uV9YfL8U/s640/Hillbilly+Blues+8.jpg" width="464" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYlx1meewTcJAYwjR81AJrO15Wx0yJImEgKm8KyEA9VJeWIt6LFuyA5BF9vCNzbFWCENZ2UAkbKoL3Y4WyJX9a8qVSMgBt3kBN-7ELlracw5MTdmp9NXPNwTfTBX_HmAXIT0Zk6kM2XzE/s1600/Hillbilly+Blues+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div><a href="http://4.bp.blogspot.com/_BLas5rlDkkM/TM6kUFBVOZI/AAAAAAAAAqE/J_rerXk-IoM/s1600/Hillbilly+Blues+3.jpg" style="margin-left: 1em; margin-right: 1em;"><br />
</a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-35311889024571336262010-10-30T23:12:00.000+02:002010-10-30T23:12:43.285+02:00Indice y contenido del libro GUITARRA JAZZ RITMICA: EL ARTE DE ACOMPAÑAR<div align="center" class="MsoNormal" style="color: red; text-align: center;"><u><span>Índice</span></u><b><u><span></span></u></b></div><div class="MsoNormal" style="color: red;"> </div><div class="MsoNormal" style="color: red;">Capítulo 1: Fórmulas numéricas de las tríadas.....página 4</div><div class="MsoNormal" style="color: red;">Capítulo 2: Posición fundamental e inversiones de las tríadas mayores.....página 6</div><div class="MsoNormal" style="color: red;">Capítulo 3: Posición fundamental e inversiones de las tríadas menores....9</div><div class="MsoNormal" style="color: red;">Capítulo 4: Posición fundamental e inversiones de las tríadas aumentadas.....11</div><div class="MsoNormal" style="color: red;">Capítulo 5: Posición fundamental e inversiones de las tríadas disminuidas.....13</div><div class="MsoNormal" style="color: red;">Capítulo 6: Escalas de tríadas.....15</div><div class="MsoNormal" style="color: red;">Capítulo 7: Fórmulas numéricas de los acordes de séptima.....20</div><div class="MsoNormal" style="color: red;">Capítulo 8: Posición fundamental e inversiones de los acordes de séptima mayor.....21</div><div class="MsoNormal" style="color: red;">Capítulo 9: Posición fundamental e inversiones de los acordes de séptima dominante..23</div><div class="MsoNormal" style="color: red;">Capítulo 10: Posición fundamental e inversiones de los acordes de séptima menor.....25</div><div class="MsoNormal" style="color: red;">Capítulo 11: Posición fundamental e inversiones de los acordes de semidisminuido...27</div><div class="MsoNormal" style="color: red;">Capítulo 12: Posición fundamental e inversiones de los acordes de 7ª disminuido.....29</div><div class="MsoNormal" style="color: red;">Capítulo 13: Pos. fund. e inversiones de los acordes de 7ª mayor aumentada.....31</div><div class="MsoNormal" style="color: red;">Capítulo 14: Escala de acordes de acordes de 7ª.....33</div><div class="MsoNormal" style="color: red;">Capítulo 15: Extensiones.....38</div><div class="MsoNormal" style="color: red;">Capítulo 16: Tablas de sustituciones.....41</div><div class="MsoNormal" style="color: red;">Capítulo 17: Continuidad armónica.....44</div><div class="MsoNormal" style="color: red;">Capítulo 18: Las progresiones ii<sup>-7</sup><span> </span>V<sup>7</sup><span> </span>I<sup><span style="font-family: ";">r</span></sup>.....45</div><div class="MsoNormal" style="color: red;">Capítulo 19: Las alteraciones <sup><span style="font-family: Jazz;">b</span></sup>9, <sup>#</sup>9, <sup>#</sup>11 y <sup><span style="font-family: Jazz;">b</span></sup>13 en acordes de 7ª dominante.....50</div><div class="MsoNormal" style="color: red;">Capítulo 20: La progresión iv<sup>-7</sup> - <sup><span style="font-family: Jazz;">b</span></sup>VII<sup>7</sup> - I<sup><span style="font-family: ";">r</span></sup>.....53</div><div class="MsoNormal" style="color: red;">Capítulo 21: El acorde de 7ª disminuida como V<sup>7</sup><sup><span style="font-family: Jazz;">b</span>9</sup> o disminuidos dominantes.....54</div><div class="MsoNormal" style="color: red;">Capítulo 22: Ejemplos prácticos de lo expuesto en los capítulos 17-20.....57</div><div class="MsoNormal" style="color: red;">Capítulo 23: El uso de las tríadas mayores para crear extensiones y alteraciones.....61</div><div class="MsoNormal" style="color: red;">Capítulo 24: Acordes de Séptima de tres notas.....67</div><div class="MsoNormal" style="color: red;">Capítulo 25: Sustitución del tritono.....70<span> </span></div><div class="MsoNormal" style="color: red;">Capítulo 26: Acordes heterónimos.....72</div><div class="MsoBodyText" style="color: red;">Precio: 30€. Se paga por giro postal (o similar, Western Union, etc...), ingreso a cuenta bancaria (España solamente) y cuando reciba el pago recibirás por email el libro en formato PDF. Si prefieres el libro en papel y encuadernado, consulta para los gastos de envío y encuadernación.</div><div class="MsoBodyText" style="color: red;">Interesados pueden contactarme enviando un e-mail a <span style="color: black; font-weight: bold;">robertransley@gmail.com</span>. Como referencia poned el título del libro.</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-79637256977659484742010-10-30T13:56:00.001+02:002013-07-06T20:59:52.983+02:00Rhythmic displacement<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-AQj23azNrd8/Udho7wzYA7I/AAAAAAAABek/_uSa3TD3qZE/s1600/Eric+Johnson.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="123" src="http://1.bp.blogspot.com/-AQj23azNrd8/Udho7wzYA7I/AAAAAAAABek/_uSa3TD3qZE/s320/Eric+Johnson.jpg" width="320" /></a></div>
<div style="text-align: center;">
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<br />
Let's look at how to take a lick that you've transcribed and transflorm it rhythmically into a different sounding phrase but still using the same notes.<br />
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<span style="color: red;">Vamos a ver como coger una frase que has transcrito y transformarla ritmicamente en una frase que suene diferente pero con las mismas notas.</span><br />
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<span style="color: black;">Below is a fragment of <a href="http://www.youtube.com/watch?v=55nAwmVLQSk">The Cliffs of Dover</a> by the great guitarist <a href="http://www.ericjohnson.com/">Eric Johnson</a>.</span><br />
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<div style="color: red;">
Abajo hay un fragmento del tema <a href="http://www.youtube.com/watch?v=55nAwmVLQSk">The Cliffs of Dover</a> del gran guitarrista <a href="http://www.ericjohnson.com/">Eric Johnson</a>.</div>
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<a href="http://2.bp.blogspot.com/_BLas5rlDkkM/TMwEOb1LahI/AAAAAAAAAps/8XXsdpuzam4/s1600/Eric+Johnson+rhythm+displacement+original.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="187" src="http://2.bp.blogspot.com/_BLas5rlDkkM/TMwEOb1LahI/AAAAAAAAAps/8XXsdpuzam4/s640/Eric+Johnson+rhythm+displacement+original.JPG" width="640" /></a></div>
If you look closely you'll see that he's using patterns, can you find them? There are two basic ones.<br />
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<span style="color: red;">Si te fijas, verás que él está usando patrones, los ves? Hay dos basicamente.</span><br />
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This rhythm that he uses here might not work on all solos that you might play, so what we'll do is break it up into different rhythm groups like this:<br />
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<span style="color: red;">A lo mejor este ritmo no funciona en todos los solos que uno quiere hacer, así que vamos a reorganizar estas notas en diferentes grupos de notas</span><span style="color: red;"> y queda así:</span><br />
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<a href="http://3.bp.blogspot.com/_BLas5rlDkkM/TMwFYRWKQVI/AAAAAAAAApw/A9l-WgN6kwI/s1600/Eric+Johnson+rhythm+displacement+sixteenths.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="172" src="http://3.bp.blogspot.com/_BLas5rlDkkM/TMwFYRWKQVI/AAAAAAAAApw/A9l-WgN6kwI/s640/Eric+Johnson+rhythm+displacement+sixteenths.JPG" width="640" /></a></div>
Now we have the same notes but with a different rhythm. Do this with as many licks as possible, you'll make them your own and won't be accused of soundin like a clone. Now try changing this lick to triplets.<br />
<a href="http://en.wikipedia.org/wiki/Eric_Johnson">Wikipedia: Eric Johnson.</a> (English)<br />
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<span style="color: red;">Ahora tenemos las mismas notas pero con un ritmo distinto. Haz esto con todos los fraseos y así se convierten en algo tuyo y no te pueden acusar de ser un clon de alguien. Ahora conviertelo en tresillos.</span><br />
<a href="http://es.wikipedia.org/wiki/Eric_Johnson">Wikipedia: Eric Johnson.</a><span style="color: red;"> (Español)</span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-51716858199231176892010-06-04T12:45:00.002+02:002010-06-04T12:49:59.264+02:00Chord solo to The Girl From IpanemaHere's a chord solo to the bossa nova The Girl From Ipanema. <br /><br /><span style="color: rgb(255, 0, 0);">Aquí teneis un solo con acordes para la bossa nova La Chica de Ipanema.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinJOgb5U8FTW0aLuo8sYvpizCpI63aKetk7miVbgPPYHyjiRlQWjdGdOqk8vXkZr9YJUA2UJFEi7ri6XhwGWkg93P_liFKpX8Qn48xQ96gOK9eJwrOdWoo7EIyg3WnZIAWK4xLOpFuRHY/s1600/The+Girl+from+Ipanema+CHORD+SOLO.jpg"><img style="cursor: pointer; width: 233px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinJOgb5U8FTW0aLuo8sYvpizCpI63aKetk7miVbgPPYHyjiRlQWjdGdOqk8vXkZr9YJUA2UJFEi7ri6XhwGWkg93P_liFKpX8Qn48xQ96gOK9eJwrOdWoo7EIyg3WnZIAWK4xLOpFuRHY/s320/The+Girl+from+Ipanema+CHORD+SOLO.jpg" alt="" id="BLOGGER_PHOTO_ID_5478868613147017906" border="0" /></a>Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-5289358597470566853.post-52644179435101857112010-01-08T10:14:00.002+01:002014-05-12T09:35:44.024+02:00Robert Cray: Artículo y Ejemplos <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK-kLa3DOCbGE3WLHkMyuNiRsUhgjGipyook-lPRy0rPEpThqd7Cf9c_TZCInxPV91Q0BS4JmQlfulqqGxIN6Qt8bnuYriW9Ukju5b3DdyJb1pVNrmjWqr7UWmsFlbpyn7h5wNZRAVduQ/s1600/RC+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK-kLa3DOCbGE3WLHkMyuNiRsUhgjGipyook-lPRy0rPEpThqd7Cf9c_TZCInxPV91Q0BS4JmQlfulqqGxIN6Qt8bnuYriW9Ukju5b3DdyJb1pVNrmjWqr7UWmsFlbpyn7h5wNZRAVduQ/s1600/RC+1.jpg" /></a></div>
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<span style="color: red;">Robert Cray, ese blusero mítico. En este artículo nos habla sobre sobre su vida, las influencias musicales, discografía, su equipo y su música. No te pierdas los ejemplos de su album "Sweet Potato Pie". Aprendete los licks o fraseos e incorpóralos a tus improvisaciones y solos.</span></div>
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<a href="http://3.bp.blogspot.com/_BLas5rlDkkM/S0b3nhfMGhI/AAAAAAAAAns/hZPXFn8gEN0/s1600-h/Entrevista+1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://3.bp.blogspot.com/_BLas5rlDkkM/S0b3nhfMGhI/AAAAAAAAAns/hZPXFn8gEN0/s320/Entrevista+1.jpg" id="BLOGGER_PHOTO_ID_5424295059590486546" style="cursor: hand; cursor: pointer; height: 320px; width: 227px;" /></a></div>
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En este fragmento de "Nothing Against You" se demuestra el ritmo básico y repetitivo del tema. (https://www.youtube.com/watch?v=mVLkgzQCHIY)<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLhTJ4gNuZ32pcBkvInXQi_-_EuCSRcm8BBzkUIju_A0y6cpNqfu6it3g2h8v2rR2U44xYdU6RHBngtIxpSzz1iyvl-jrrmLlk7h_60UlgA_B9ognAE2AKfnLlCBoo6l6XEPfjLNIPVLg/s1600/Sweet+potato+pie+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLhTJ4gNuZ32pcBkvInXQi_-_EuCSRcm8BBzkUIju_A0y6cpNqfu6it3g2h8v2rR2U44xYdU6RHBngtIxpSzz1iyvl-jrrmLlk7h_60UlgA_B9ognAE2AKfnLlCBoo6l6XEPfjLNIPVLg/s1600/Sweet+potato+pie+1.jpg" height="320" width="223" /></a></div>
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En "Back Home" vemos los acordes y armonía de este clásico.<br />
(https://www.youtube.com/watch?v=gdy7f2hYxVQ)<br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-89482649166342596712009-10-11T20:51:00.001+02:002014-05-11T13:37:24.096+02:00Jimi Hendrix "Red House" <div class="separator" style="clear: both; text-align: center;">
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<a href="http://1.bp.blogspot.com/--O80T13o_RQ/U29fxc7g4hI/AAAAAAAADDo/1JhhxacBi5k/s1600/Pic+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/--O80T13o_RQ/U29fxc7g4hI/AAAAAAAADDo/1JhhxacBi5k/s1600/Pic+3.jpg" /></a></div>
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JIMI HENDRIX was a very good blues player a style that would influence him throughout his short lived career. In "Red House" we see him playing a classic blues standard. Check out his improvisation and incorporate some of his licks into your playing! </div>
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<span style="color: red;">JIMI HENDRIX fue un guitarrista de blues muy bueno, este estilo le influenciaría durante toda su corta carrera. En "Red House" vemos como toca un blues standard. Fíjate en su improvisación, aprende sus licks o fraseos e incorpóralos a tu vocabulario musical.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-61783495076796390262009-09-27T16:55:00.003+02:002014-05-19T18:24:07.764+02:00Jimmie Vaughan: Entrevista y ejemplos de sus fraseos<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-SoW_Qk1fFFU/U3ov6dZ2cgI/AAAAAAAADOU/GcRd7X-8wsU/s1600/images.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-SoW_Qk1fFFU/U3ov6dZ2cgI/AAAAAAAADOU/GcRd7X-8wsU/s1600/images.jpg" /></a></div>
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Jimmie Vaughan, el hermano de Stevie Ray Vaughan. Tiene sentido que los dos de pequeño aprenderían juntos a tocar la guitarra y juntos tocaron muchas veces. El blues fue la fuente de donde bebieron. En esta entrevista, Jimmie habla de todo un poco, guitarras, sonido, raíces... Además vienen unos ejemplos de sus fraseos.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5289358597470566853.post-87709277816752554322009-09-05T19:18:00.000+02:002009-09-05T19:19:46.317+02:00Arrangement: Laura<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_BLas5rlDkkM/SqKdpa-4cCI/AAAAAAAAAks/PaY1BV2oYJc/s1600-h/Laura.jpg"><img style="cursor: pointer; width: 248px; height: 320px;" src="http://2.bp.blogspot.com/_BLas5rlDkkM/SqKdpa-4cCI/AAAAAAAAAks/PaY1BV2oYJc/s320/Laura.jpg" alt="" id="BLOGGER_PHOTO_ID_5378034239977058338" border="0" /></a>Unknownnoreply@blogger.com0